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Tuesday, September 23, 2003 |
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Media power and cable channels
As he points out, the old oligopoly of the big three networks has been recreated anew, with cable and local combinations giving balance to the media giants, with their sinking music divisions, dull publishing holdings, and wildly fluctuating film businesses. That explains their eagerness to push FCC rules to allow them to own more local stations, and it may explain the real prize of the GE-Vivendi deal, namely the seemingly insignificant Universal cable holdings (USA Network, Sci-Fi). Other media powers have gobbled up such seeming insignificant cable stations as Comedy Central, Bravo, Country Music Network, and the Food Channel. Cable channels are far more profitable than networks; with relatively low production costs and burgeoning ad revenues and per-viewer fees. But the key issue is power at the bargaining table. Peers recounts a great story of toy giant Mattel making threats to pull its ads from Nickelodeon, unless Nickelodeon parent Viacom ran a Mattel-produced piece of advertainment programming called "Barbie in the Nutcracker" (!) on prime time on CBS. Unflinching, Viacom threatened massive retaliation by refusing Mattel access to any of its properties, from MTV to Viacom's vast radio holdings to billboards. The media giant trumped the toy giant, and Mattel backed down and compromised. Peers quotes a Viacom executive as saying "You find it very difficult to go to war with one piece of Viacom without going to war with all of Viacom." The other area where the negotiations get tough is with the cable companies. Getting Comcast or Cox or any other cable provider to carry your lesser cable networks is a struggle, but not if you start with a stacked deck. To quote Peers:
It's not the usual "synergy" of shared content and/or cross-marketing that is propelling the media giants; those are relatively minor plusses. The big advantage of owning several media businesses is the ability to deal from strength and bargain with muscle. 8:22:55 PM |